Loading
Please wait, content is loading
Logo Black Logo White
  • Home
  • Blog
  • Faculty
  • Gallery
  • Contact
  • About Us
  • Admissions
  • Students Portal
  • Success Stories
  • Application Form
Menu

Recent Posts

  • How to Choose the Perfect Secondary Monitor for Your Video Editing Suite
  • Editing Techniques Inspired by ‘Oppenheimer’
  • Expert Editing Tips to Streamline and Shorten Your Video Projects Efficiently
  • Quick Tip: How to Create Stills and Pauses in DaVinci Resolve
  • Basic Tips for TikTok Video Editing to Make Your Content Go Viral

Recent Comments

  1. saranya on How to Become a Successful Freelance Video Editor in Nepal
  • June 18, 2025

How to Choose the Perfect Secondary Monitor for Your Video Editing Suite

  • Blog
Post Image

Having a dual-monitor setup can dramatically improve your workflow, productivity, and overall comfort when working on video editing projects, whether you’re producing short films, commercials, or social media content. While a primary display often gets most of the attention, selecting the right secondary monitor for video editing is crucial for achieving smooth multitasking, precise color grading, and efficient file management. At Omega Film Institute—Nepal’s top video editing school—we emphasize that a thoughtfully chosen secondary monitor for video editing not only streamlines your editing process but also helps you stay organized and focused on what matters: creating compelling stories.

Why a Secondary Monitor Matters for Video Editing

A dual-monitor setup offers numerous advantages that directly impact your editing efficiency and creative potential:

  1. Enhanced Multitasking: Use one screen for your main timeline and preview window, while reserving the other for file management, color grading scopes, or references. This arrangement streamlines the editing process by reducing tab-switching.
  2. Color Precision: A dedicated monitor for color grading can ensure that your primary editing window remains clutter-free and that color adjustments are more accurate.
  3. Better Organization: Separate tasks—like audio mixing, effects controls, or project outlines—on your second display. This setup helps you stay organized, particularly on large or complex projects.
  4. Increased Productivity: Studies show that dual-monitor setups can boost productivity by up to 20-30%. For video editors working on tight deadlines, every minute saved is invaluable.
  5. Easier Collaboration: If working with a client or a team in Nepal, you can dedicate one monitor to the preview output, while the other is used for real-time edits or notes.

For professionals and students at Omega Film Institute, mastering the use of two monitors is a step towards more efficient, higher-quality video editing. Let’s explore the essential factors you should consider when selecting a secondary monitor.

Key Factors to Consider When Choosing a Secondary Monitor

1. Resolution and Screen Size

1.1 Common Resolutions

  • Full HD (1920×1080): Often the baseline for professional work, offering affordability and decent clarity.
  • QHD (2560×1440): Provides more screen real estate and sharper images.
  • 4K UHD (3840×2160): Ideal for color grading and editing 4K footage, delivering greater detail and clarity.

1.2 Monitor Size and Viewing Distance

  • 24-inch to 27-inch: Balanced for Full HD or QHD resolutions.
  • 32-inch or Larger: Works well with 4K resolutions, giving you ample space for editing timelines and scopes.
  • Viewing Distance: Ensure the monitor size complements your desk setup. If you’re too close, larger screens can cause eye strain; too far, you might lose detail.

Pro Tip: If your primary monitor is 4K, consider matching that resolution for your secondary display to maintain consistency.

2. Color Accuracy and Panel Types

2.1 IPS vs. TN vs. VA Panels

  • IPS (In-Plane Switching): Offers wide viewing angles and accurate colors—crucial for color correction and grading.
  • TN (Twisted Nematic): Generally less expensive with faster response times, but narrower viewing angles and lower color fidelity.
  • VA (Vertical Alignment): Delivers deeper blacks than IPS, but can have slower response times.

For video editors, IPS panels are typically the go-to choice due to their superior color reproduction and wide viewing angles.

2.2 Color Gamut and Calibration

  • sRGB, Adobe RGB, DCI-P3: Look for monitors that cover at least 100% sRGB or a large portion of Adobe RGB/DCI-P3.
  • Factory Calibration: Some higher-end monitors come pre-calibrated with reports on color accuracy. This saves time, but manual calibration tools (like a colorimeter) can further refine your settings.

3. Refresh Rate and Response Time

While high refresh rates (120Hz, 144Hz, etc.) are essential in gaming, they’re less critical for standard video editing. Still, a decent 60Hz refresh rate is a baseline:

  • 60Hz Minimum: Sufficient for smooth playback of footage.
  • 120Hz or Higher: Can be helpful if you often preview high-frame-rate videos or do motion graphics, but it’s not a top priority for most editors.
  • Response Time: 5ms or below is generally acceptable to avoid ghosting or motion blur.

4. Connectivity and Ports

  • HDMI vs. DisplayPort: If your graphics card supports DisplayPort, it often provides higher bandwidth and can drive 4K at higher refresh rates.
  • USB-C/Thunderbolt: Some monitors come with USB-C or Thunderbolt ports, allowing a single-cable solution for power and video signal—excellent for laptop-based editors.
  • Multiple Inputs: Check if you need additional inputs, like extra HDMI or USB ports, for hooking up cameras, external drives, or other peripherals.

5. Ergonomics and Adjustability

Ergonomics plays a crucial role in ensuring a comfortable editing environment:

  • Height Adjustability: Helps reduce neck strain and maintain proper posture.
  • Tilt and Swivel: Allows you to position the monitor for the best viewing angle, particularly if you’re collaborating with others.
  • VESA Mount Compatibility: If you plan to mount your monitor on a stand or swivel arm, ensure it supports VESA mounting.

6. Budget and Warranty

  • Budget Range: Secondary monitors can range from under USD 200 for basic models to over USD 1,000 for professional-grade displays.
  • Warranty and Support: Reputable brands offer at least a 3-year warranty. Check for local support services in Nepal to simplify repairs or replacements.

Top Recommended Secondary Monitors for Video Editing

Based on factors like resolution, color accuracy, and brand reputation, here are some top contenders for editors looking to enhance their setups in Nepal:

1. Dell UltraSharp U2720Q

  • Resolution and Size: 27-inch, 4K (3840×2160)
  • Color Accuracy: Covers 99% sRGB and 95% DCI-P3
  • Connectivity: USB-C, DisplayPort, HDMI
  • Why It Stands Out: Well-regarded for its factory calibration and consistent color performance, making it ideal as a secondary grading monitor.

2. LG 27UK850

  • Resolution and Size: 27-inch, 4K UHD
  • Panel: IPS with HDR10 support
  • Connectivity: USB-C, DisplayPort, 2x HDMI
  • Why It Stands Out: Delivers excellent brightness and color accuracy, plus the convenience of USB-C for single-cable connectivity to laptops.

3. BenQ PD2700Q

  • Resolution and Size: 27-inch, QHD (2560×1440)
  • Color Accuracy: 100% sRGB
  • Connectivity: DisplayPort, HDMI, Mini DisplayPort
  • Why It Stands Out: Offers professional features like Darkroom and CAD/CAM modes at a more affordable price, making it a strong mid-range pick.

4. ASUS ProArt PA278CV

  • Resolution and Size: 27-inch, QHD
  • Color Accuracy: Factory-calibrated, covers 100% sRGB
  • Connectivity: DisplayPort, HDMI, USB-C
  • Why It Stands Out: ASUS’s ProArt series is known for high color fidelity and robust build quality. It’s a reliable option for color-critical tasks.

5. ViewSonic VP2768a

  • Resolution and Size: 27-inch, QHD
  • Panel: IPS
  • Connectivity: USB-C, DisplayPort, HDMI
  • Why It Stands Out: Great value for color-accurate editing, ViewSonic is recognized for delivering consistent performance and calibration options at competitive prices.

Setting Up Your Second Monitor: Practical Tips

1. Positioning and Ergonomics

  • Level Alignment: Keep both monitors at roughly the same height to reduce neck or eye strain.
  • Primary vs. Secondary Roles: Decide which monitor will be your main editing canvas and which will handle scopes, file management, or references.
  • Distance: Position monitors an arm’s length away to minimize eye fatigue.

2. Color Calibration Across Monitors

  • Hardware Calibration: Use a colorimeter (e.g., Datacolor Spyder or X-Rite i1 Display) to calibrate each display.
  • Consistency: Attempt to match brightness, contrast, and white point on both monitors so visuals remain consistent across screens.
  • Periodic Re-Calibrations: Displays can shift in color over time. Re-calibrate every few months.

3. Software Configuration

  • Operating System Settings: On Windows or macOS, go to display settings to arrange monitors logically and set your desired resolution.
  • Editing Software Layout: Drag color scopes, libraries, or effect controls to the secondary monitor while your main timeline and preview windows remain on the primary display.
  • Hotkeys and Shortcuts: Program shortcuts for switching between monitors or moving windows quickly.

4. Monitor Maintenance

  • Cleaning: Use microfiber cloths and gentle screen-cleaning solutions. Dust or smudges can distort color perception.
  • Firmware Updates: Some modern monitors offer firmware updates for improved performance or bug fixes.
  • Avoid Burn-In: Although burn-in is less common in IPS displays, avoid leaving static images for prolonged periods.

Omega Film Institute: Leading the Way in Nepal’s Video Editing Education

For those looking to excel in video editing within Nepal’s dynamic media industry, Omega Film Institute stands as a premier educational institution that provides:

  • Practical Curriculum: Learn real-world editing scenarios, from short promotional videos to cinematic projects.
  • Expert Instructors: Our faculty comprises industry veterans who bring field-tested knowledge to the classroom.
  • Hands-On Experience: Students work on actual client briefs or creative exercises, gaining practical insights into hardware and software optimization.
  • Career Pathways: Networking events, internships, and job placement support open doors to roles in TV stations, film production houses, and digital media agencies.

By emphasizing hardware knowledge—like choosing the right secondary monitor—and advanced editing skills, Omega Film Institute helps students produce content that meets global standards.

Conclusion

Choosing a secondary monitor for your video editing suite is not merely an afterthought—it can be a pivotal factor that improves your overall workflow, comfort, and creative output. From matching resolutions and color spaces to ensuring ergonomic setups, each detail contributes to a smoother editing experience. For editors in Nepal looking to refine their craft, investing in a quality secondary display can help them quickly navigate timelines, color-grade more accurately, and maintain efficient file management.

At Omega Film Institute, we stress that a professional video editor’s toolkit extends beyond just software proficiency. Understanding and leveraging the right hardware fosters a well-rounded skill set that employers, clients, and collaborators deeply value. Whether you’re editing short social media clips or feature-length films, the perfect secondary monitor can play a crucial role in elevating your project’s quality and pace. Ready to boost your video editing capabilities? Enroll at Omega Film Institute to gain in-depth knowledge of both editing software and essential hardware configurations, including selecting the ideal secondary monitor. Visit our website to explore our courses and discover how our comprehensive approach to video editing education can shape your success in Nepal’s burgeoning digital media arena.

Apply Now

author avatar
admin
See Full Bio
Prev
No more posts
Next
Editing Techniques Inspired by ‘Oppenheimer’
  • No Comments
  • Leave a comment
Cancel Reply

Back Top
Omega Film Institute is owned by Omega Studio Nepal
Follow Us
error: Content is protected !!

Sreejith Samuel

Sreejith is an accomplished professional in filmmaking with over seven years of diverse experience in video editing, graphic design, and motion graphics. He brings passion and dedication to his craft. Sreejith consistently utilizes his talents to their fullest, showcasing his creativity and expertise in every project he undertakes.

Subramanya

With nearly 15 years of experience, I moved to Mumbai and worked with a Bhojpuri album company, gaining valuable industry insights. My career then expanded to TV channels, where I contributed to both fiction and non-fiction projects. Notable highlights include working on Bigg Boss (Kannada and Tamil, two seasons), dance shows, comedy and game shows, award events, and a wide variety of other projects. I’ve had the privilege of working across almost all major South Indian channels, including Sun Network, ZEE Network, Colors Network, and Star Network.

Govinda – Cinematography and Videography Instructor

Govinda is a highly experienced cinematographer and video editor with over 13 years of expertise in Nepali wedding filmmaking and across diverse fields. From crafting breathtaking wedding films to working on large-scale projects in advertisements, documentaries, and music videos, his vast knowledge and hands-on experience in capturing memorable moments make him an exceptional mentor for students at the Omega Film Institute.

At OFI, Govinda specializes in teaching camera operations, Cinematography, and Photography. His ability to blend technical precision with creative artistry helps students master the skills needed to tell compelling visual stories.

Govinda’s dedication to his craft and his approachable teaching style ensure that students gain both confidence and expertise in cinematography. His rich career in the wedding film industry serves as an inspiration, guiding aspiring filmmakers to excel in their journeys. Whether it’s creating captivating wedding films, impactful documentaries, or vibrant music videos.

Angela – Video Editing Instructor

Angela brings over six years of expertise in video editing to the Omega Film Institute. Currently pursuing her bachelor’s degree in cinematography, she combines academic knowledge with practical experience, making her an invaluable part of our teaching team.

Her passion for storytelling shines through in every project she undertakes, and she has a unique ability to connect with students, inspiring them to see editing as an art form. Angela is not only a skilled editor but also an avid movie enthusiast and a book lover, which fuels her creativity and sharpens her storytelling abilities.

Dedicated, innovative, and approachable, Angela thrives on guiding her students to unlock their potential, ensuring they leave her classes equipped with both technical skills and a creative mindset. She believes in the transformative power of visual storytelling and takes pride in helping her students craft compelling narratives.

DAVID – COLOR GRADING AND DAVINCI RESOLVE INSTRUCTOR 

David is a seasoned video editor with over seven years of experience in the industry. His extensive portfolio includes numerous music videos and movies, and he has made significant contributions to the Nepali film industry. A true expert in DaVinci Resolve, David specializes in color grading and advanced editing techniques, bringing a wealth of knowledge and hands-on expertise to his students at the Omega Film Institute.

David’s passion for storytelling through visuals is matched only by his dedication to teaching. He thrives on guiding students through the intricacies of color grading, helping them transform raw footage into cinematic masterpieces.

Beyond his professional achievements, David’s love for worship and his faith in God add a unique dimension to his character, inspiring those around him. His combination of technical brilliance and a grounded approach to life makes him a cherished mentor at the institute.

HOMANATH – MEDIA AND MUSIC INSTRUCTOR

Homenath brings over 15 years of diverse experience in the media industry to the Omega Film Institute. His journey began with recording, digitization and archiving of Intangible cultural heritage in Nepal,  eventually leading him to become an integral part of early Nepali filmmaking, music videos, and film production. His extensive knowledge and hands-on experience make him a cornerstone of our teaching team.

A connoisseur of Nepali music, especially traditional folk music, Homanath’s expertise enriches the creative environment at OFI. His deep understanding of music and its integration into filmmaking provides students with unique insights into crafting emotionally resonant stories.

Homanath’s passion for teaching and his ability to connect with students make him an inspiring mentor. His wealth of knowledge and commitment to preserving Nepali musical heritage are invaluable assets to our institute.

Sanish – Video Editing and Fitness Mentor

Sanish is a dynamic professional who brings a unique blend of skills to the Omega Film Institute. An experienced video editor and fitness enthusiast, Sanish inspires students to grow holistically, both in their craft and in personal development.

At OFI, Sanish combines his technical expertise in video editing with his passion for fitness, encouraging students to adopt a well-rounded approach to growth. His classes are not just about mastering editing techniques but also about fostering discipline and focus—qualities he embodies as a competitive powerlifter.

Sanish’s dedication to helping students excel both creatively and physically makes him a standout mentor. His energetic and motivating presence ensures that students leave his classes equipped with skills for success in all areas of life.

Prakash – Video Editing Instructor 

Prakash is a dedicated video editor with over four years of experience in the field. His expertise and approachable teaching style make him an excellent mentor for students at the Omega Film Institute. Prakash’s kindness and patience foster a positive learning environment where students feel confident to explore and enhance their skills.

In addition to his passion for video editing, Prakash is a talented singer who loves worship, bringing creative and uplifting energy to the classroom. His ability to connect with students and inspire the ensures that they not only learn faster but also develop a genuine appreciation for the art of video editing.

Bipul – Video Editing Instructor 

Bipul brings five years of professional video editing experience to the Omega Film Institute. With a bachelor’s degree in video editing, he combines technical expertise with a passion for teaching, making him a student favorite.

Known for his approachable and supportive teaching style, Bipul creates a learning environment where students feel encouraged to explore their creativity and build their skills with confidence. His dedication to helping each student succeed has made him one of the most beloved instructors at the institute.

Bipul’s deep understanding of editing techniques and his commitment to fostering growth ensure that his students gain not just technical knowledge but also the ability to craft visually compelling stories.