Working editors, colorists and motion artists — mentoring Nepal's next generation of filmmakers, one real project at a time.

Bachelor's Degree Editor & Storyteller
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Angela brings over seven years of video editing expertise to the Omega Film Institute. Having completed her bachelor's degree in cinematography, she blends academic insight with hands-on experience, making her a valued member of our teaching team. Her passion for storytelling comes through in every project, and she has a natural gift for connecting with students and helping them see editing as a true art form. A dedicated movie enthusiast and book lover, Angela draws on both to fuel her creativity. Approachable and innovative, she thrives on guiding students to unlock their potential, ensuring they leave with both strong technical skills and a creative mindset.
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Bachelor's Degree Student Favourite
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Bipul brings seven years of professional video editing experience to the Omega Film Institute. With a bachelor's degree in video editing, he pairs technical expertise with a genuine passion for teaching — a combination that has made him a student favourite. Known for his approachable, supportive style, Bipul creates a learning environment where students feel encouraged to explore their creativity and build their skills with confidence. His commitment to each student's success has made him one of the institute's most beloved instructors, and his deep grasp of editing techniques ensures students gain not just technical knowledge, but the ability to craft visually compelling stories.
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Colorist & DaVinci Resolve specialist, 7+ years.
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David is a seasoned video editor with over seven years of industry experience. His portfolio spans numerous music videos and films, and he has made notable contributions to the Nepali film industry. A true expert in DaVinci Resolve, David specializes in color grading and advanced editing techniques, bringing a wealth of hands-on knowledge to his students. His passion for visual storytelling is matched only by his dedication to teaching — he thrives on guiding students through the finer points of color grading, helping them transform raw footage into cinematic work. Beyond his professional achievements, David's faith and love of worship add a grounded, inspiring dimension to his character.
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Editor and mentor — kind, patient, and a singer.
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Prakash is a dedicated video editor with over five years of experience in the field. His expertise and approachable teaching style make him an excellent mentor for students at the Omega Film Institute, while his kindness and patience foster a positive environment where students feel confident to explore and grow. Alongside his passion for video editing, Prakash is a talented singer with a love of worship, bringing creative and uplifting energy into the classroom. His ability to connect with students inspires them to learn faster and develop a genuine appreciation for the craft.
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Bachelor's Degree Discipline & Focus
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Sanish is a dynamic professional who brings a unique blend of skills to the Omega Film Institute. He holds a bachelor's degree in video editing and is also a dedicated fitness enthusiast, encouraging students to grow holistically — both in their craft and in their personal development. At OFI, Sanish combines his technical expertise in video editing with his passion for fitness, championing a well-rounded approach to growth. His classes go beyond editing techniques to build discipline and focus — qualities he embodies as a competitive powerlifter. Energetic and motivating, he helps students excel creatively and physically, ensuring they leave equipped with skills for success in every area of life.
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Motion graphics & After Effects, 10+ years.
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Sreejith Samuel is an accomplished filmmaking professional with over ten years of diverse experience across video editing, graphic design, and motion graphics. His deep understanding of storytelling and visual aesthetics allows him to craft compelling narratives that captivate audiences, and he brings passion and precision to every project he undertakes. Beyond editing, Sreejith is highly skilled in Adobe After Effects, using it to create striking motion graphics, visual effects, and dynamic animations. Whether it's seamless transitions, eye-catching title sequences, or advanced compositing, he brings creativity and care to every frame, ensuring every project reflects both artistic vision and technical expertise.
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Senior editor — 17 years across TV & music.
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Subramanya KJ is a senior video editor and media professional with nearly seventeen years of experience across music, television, and entertainment production. He began his career in Mumbai with a Bhojpuri music company before moving into television, where he has worked on major fiction and non-fiction projects — including Bigg Boss (Kannada and Tamil), dance shows, comedy and game shows, and award events. Over the years, Subramanya has collaborated with leading broadcasters across South India, including Sun Network, Zee Network, Colors, and Star Network. His broad production experience and editing expertise make him a valuable addition to the institute's visiting faculty.
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Photographer and retoucher who makes Lightroom feel effortless.
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Suman leads photography post-production at Omega Film Institute, with three years of hands-on experience turning raw captures into finished, professional images. Lightroom is his home ground — culling, correcting, retouching and building consistent looks across an entire shoot — and he teaches it the way working photographers actually use it, not as a menu of buttons. His classes move fast from the fundamentals of exposure and colour into real editing workflows on real photographs, so students leave able to deliver client-ready images rather than just pretty single frames. Calm, precise and genuinely patient, Suman has a knack for demystifying the parts of editing that intimidate beginners, and for showing students how strong post-production quietly elevates every photograph they take.
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Bachelor's Degree 6 years of experience
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Milan brings more than six years of professional editing experience to Omega Film Institute, backed by a bachelor's degree in video editing — a rare combination of formal training and long field practice. He has cut across the full range of commercial work, and that breadth shows in how he teaches: not just where to make a cut, but why, and how pacing, rhythm and sound carry a story. His degree gives him the vocabulary of the craft; his years on deadline give him the instincts, and he passes both to students in equal measure. Methodical and encouraging, Milan is especially good with beginners who feel overwhelmed by the timeline, breaking the process into steps they can master one at a time until editing becomes second nature. Students consistently describe his feedback as the moment their work started to look professional.
Flip backEvery instructor at OFI teaches the craft they practise for a living. Our editing faculty cut real client projects; our colour and DaVinci Resolve instructor grades real films; our visiting faculty bring senior industry experience from India's larger production market. When your teacher delivered a real project last Friday, Monday's class carries a currency no textbook or recorded course can match — the examples are real, the standards are real, and the war stories are true.
We cap every batch so instructors personally know each student's work. Your mentor sees your timeline, your footage, your grade — not a sea of anonymous submissions — and their feedback is specific to what you did and how you think. This is the single fastest way any human improves at a craft, and it is the reason we will always choose smaller batches over bigger revenue.
Work at OFI gets screened. Edits, films, grades and photographs go on the big screen in front of the batch, and we discuss them honestly — what works, what almost works, what the piece needed. Learning to hear critique without flinching, and to give it usefully, is half of becoming a professional, and our students graduate already fluent in it. Studios notice.
Instructors here stay in students' lives after graduation — reviewing showreels, recommending graduates to studios that ask us for hires, and pulling strong alumni onto real productions. The relationship you build in class becomes part of your professional network, which in this industry is worth as much as the skill itself.
Each core craft at OFI has faculty who specialise in it — video editing has dedicated editing instructors, colour grading and DaVinci Resolve are taught by our colour specialist David, and visiting senior faculty from India's larger production market bring perspective from bigger pipelines and bigger budgets. You learn each craft from someone who lives inside it, which is the only way instinct transfers.
Editing is a sitting profession, and careers end early when bodies are ignored — so mentorship here even extends to sustainable working habits, posture and routines for people who will spend years at a timeline. It sounds unusual for a film school until you have met editors ten years into the job; then it sounds obvious.
Whichever course you join, your first class follows the same pattern: your mentor shows the craft live on the big screen, hands you real material, and gets you making something before the session ends. There is no month of theory to survive first — instinct in this field is built by doing, and our faculty structure every course around exactly that.
From day one your instructor tracks your work personally, so strengths are pushed and gaps are caught early. By graduation, the mentor who taught you is also the professional reference who can vouch for you — and in this industry, that voice opens more doors than any certificate.
Faculty availability for counselling varies with production schedules, so if you would like to meet a specific instructor before joining, message us first and we will arrange a time when they can sit with you properly.