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  • February 18, 2026

How to Price Revisions and Extra Work: Protect Your Time as a Nepali Editor

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Working as a video editor in Nepal can be rewarding, but it also comes with challenges—especially when clients expect unlimited revisions, additional work beyond the original agreement, or last-minute changes without compensation. Many Nepali editors, freelancers, and even studio professionals struggle with video editing pricing in Nepal and fail to price revisions properly, often working extra hours for free and losing both time and profit.

At Omega Film Institute, Nepal’s leading video editing and filmmaking school, we teach editors not just editing skills in Adobe Premiere Pro, DaVinci Resolve, and After Effects, but also how to manage clients, price services strategically, and protect professional time. This blog explains how to structure revision costs, avoid scope creep, set clear expectations, and confidently charge for additional work—so you can earn what you’re worth.

Why Pricing Revisions Matters for Nepali Editors

Many editors in Nepal struggle with payments because they:

  • Do not define what counts as a “revision”
  • Are afraid to charge for changes
  • Want to please clients at any cost
  • Lack a pricing system
  • Work without contracts or written agreements

Revisions are part of the editing process—but they must be controlled. Without boundaries, you lose time, energy, sleep, and eventual income.

Clients don’t always understand how much effort goes into:

  • Replacing music
  • Recoloring scenes
  • Reframing shots
  • Re-exporting files
  • Fixing sound issues
  • Rearranging story beats

If you don’t value this work, neither will they.

Understanding Revisions vs Extra Work

Before pricing, you must clarify two critical terms:

Revision

A correction or improvement based on the original brief.

Example: “Replace this clip with a smiling shot,” or “Increase volume of this speech.”

Extra Work

A new requirement outside the original scope.

Example: “Add drone shots,” “Create a vertical reel,” or “Make another version for TikTok.”

Revisions are adjustments. Extra work is a new project.

Both must be priced differently.

Common Mistakes Nepali Editors Make

  1. Offering unlimited revisions without limits
  2. Not mentioning revision count in proposals
  3. Delivering new versions without additional fees
  4. Accepting changes over WhatsApp without written confirmation
  5. Believing more revisions create happier clients

In reality, too many revisions damage creativity and delay all your other clients.

How to Set a Revision Policy That Protects You

A strong policy helps you maintain boundaries.

Include These in Your Agreement:

  • Number of revisions included (usually 2–3)
  • Delivery timeline for revisions
  • Cost for extra revisions
  • Cost for new deliverables (vertical edits, reels, subtitles, etc.)
  • Rate for urgent delivery requests

Example Policy for Nepali Editors:

  • 3 revisions included in package
  • NPR 1,000–5,000 per additional revision
  • NPR 2,500–10,000 for new versions or formats
  • 50% surcharge for same-day changes

Clear policies eliminate misunderstandings.

Pricing Models for Revisions in Nepal

You can pick whichever suits your workflow.

1. Per Revision Pricing

Charge based on the number of revisions.

Best for: Standard wedding films, corporate edits.

2. Hourly Billing

Charge per hour spent on changes.

Range: NPR 1,000–3,000/hour

Best for: Long-form edits, documentaries.

3. Fixed Add-On Charges

Set prices for common extras:

  • Vertical reel version – NPR 2,500–8,000
  • Subtitles – NPR 1,200–5,000
  • Color rework – NPR 3,000–10,000
  • Sound redesign – NPR 2,000–6,000

4. Package Upgrades

Offer tiered editing packages with limited revisions.

Best for: Studios and production houses.

How to Communicate Revision Costs Professionally

Nepali clients respond well to clarity. Use respectful, confident communication.

Sample Script:

“Your package includes 2 revisions. Any additional changes beyond that will be billed at NPR 2,500 per revision. Please confirm if you would like to proceed.”

This message sets boundaries without sounding rude.

When Clients Ask for 

Free Extra Work

Some clients use emotional persuasion:

  • “Just a small change…”
  • “Can you do one last version?”
  • “My brother wants something else…”

Your reply should be polite and firm:

“I’d be happy to help. As this is outside the original scope, there will be an additional cost of NPR _____. Shall I proceed?”

Most clients accept when handled professionally.

Red Flags to Watch Out For

Not all clients value your time. Be cautious when you hear:

  • “We don’t have a budget but we’ll give exposure.”
  • “We’ll pay later, please do now.”
  • “Work first, contract later.”
  • “Can you do 10 more small changes?”

These are clear signs of poor professionalism. Avoid or charge upfront.

Why Editors Must Protect Their Time

Your time is your income. Every unpaid revision:

  • Delays new clients
  • Destroys creativity
  • Adds stress
  • Damages career growth

Time protection is not selfish—it’s professional.

Why Omega Film Institute Trains Editors in Pricing & Client Strategy

Most institutes teach software—but never teach survival skills.

At Omega Film Institute, students learn:

  • Professional pricing models
  • Client communication strategies
  • Project estimation and time management
  • Business workflow for editors in Nepal
  • Negotiation and contract writing

Graduates know how to edit AND how to earn.

This makes Omega Film Institute the top choice for editors who want a long-term, profitable career—not just skills.

Conclusion

Revisions are part of the editing process, but they should not consume your time for free. By defining revision limits, pricing extra work, and communicating confidently, you protect your value as a professional editor.

If you want to master not just video editing tools but the business strategies that make you successful in Nepal’s creative industry, join Omega Film Institute—the training ground for editors who want control over their craft, time, and income.

Your time has value. Price it like a professional.

Apply Now


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Sreejith Samuel

Sreejith is an accomplished professional in filmmaking with over seven years of diverse experience in video editing, graphic design, and motion graphics. He brings passion and dedication to his craft. Sreejith consistently utilizes his talents to their fullest, showcasing his creativity and expertise in every project he undertakes.

Subramanya

With nearly 15 years of experience, I moved to Mumbai and worked with a Bhojpuri album company, gaining valuable industry insights. My career then expanded to TV channels, where I contributed to both fiction and non-fiction projects. Notable highlights include working on Bigg Boss (Kannada and Tamil, two seasons), dance shows, comedy and game shows, award events, and a wide variety of other projects. I’ve had the privilege of working across almost all major South Indian channels, including Sun Network, ZEE Network, Colors Network, and Star Network.

Sanish – Video Editing and Fitness Mentor

Sanish is a dynamic professional who brings a unique blend of skills to the Omega Film Institute. An experienced video editor and fitness enthusiast, Sanish inspires students to grow holistically, both in their craft and in personal development.

At OFI, Sanish combines his technical expertise in video editing with his passion for fitness, encouraging students to adopt a well-rounded approach to growth. His classes are not just about mastering editing techniques but also about fostering discipline and focus—qualities he embodies as a competitive powerlifter.

Sanish’s dedication to helping students excel both creatively and physically makes him a standout mentor. His energetic and motivating presence ensures that students leave his classes equipped with skills for success in all areas of life.

Govinda – Cinematography and Videography Instructor

Govinda is a highly experienced cinematographer and video editor with over 13 years of expertise in Nepali wedding filmmaking and across diverse fields. From crafting breathtaking wedding films to working on large-scale projects in advertisements, documentaries, and music videos, his vast knowledge and hands-on experience in capturing memorable moments make him an exceptional mentor for students at the Omega Film Institute.

At OFI, Govinda specializes in teaching camera operations, Cinematography, and Photography. His ability to blend technical precision with creative artistry helps students master the skills needed to tell compelling visual stories.

Govinda’s dedication to his craft and his approachable teaching style ensure that students gain both confidence and expertise in cinematography. His rich career in the wedding film industry serves as an inspiration, guiding aspiring filmmakers to excel in their journeys. Whether it’s creating captivating wedding films, impactful documentaries, or vibrant music videos.

DAVID – COLOR GRADING AND DAVINCI RESOLVE INSTRUCTOR 

David is a seasoned video editor with over seven years of experience in the industry. His extensive portfolio includes numerous music videos and movies, and he has made significant contributions to the Nepali film industry. A true expert in DaVinci Resolve, David specializes in color grading and advanced editing techniques, bringing a wealth of knowledge and hands-on expertise to his students at the Omega Film Institute.

David’s passion for storytelling through visuals is matched only by his dedication to teaching. He thrives on guiding students through the intricacies of color grading, helping them transform raw footage into cinematic masterpieces.

Beyond his professional achievements, David’s love for worship and his faith in God add a unique dimension to his character, inspiring those around him. His combination of technical brilliance and a grounded approach to life makes him a cherished mentor at the institute.

Bipul – Video Editing Instructor 

Bipul brings five years of professional video editing experience to the Omega Film Institute. With a bachelor’s degree in video editing, he combines technical expertise with a passion for teaching, making him a student favorite.

Known for his approachable and supportive teaching style, Bipul creates a learning environment where students feel encouraged to explore their creativity and build their skills with confidence. His dedication to helping each student succeed has made him one of the most beloved instructors at the institute.

Bipul’s deep understanding of editing techniques and his commitment to fostering growth ensure that his students gain not just technical knowledge but also the ability to craft visually compelling stories.

Prakash – Video Editing Instructor 

Prakash is a dedicated video editor with over four years of experience in the field. His expertise and approachable teaching style make him an excellent mentor for students at the Omega Film Institute. Prakash’s kindness and patience foster a positive learning environment where students feel confident to explore and enhance their skills.

In addition to his passion for video editing, Prakash is a talented singer who loves worship, bringing creative and uplifting energy to the classroom. His ability to connect with students and inspire the ensures that they not only learn faster but also develop a genuine appreciation for the art of video editing.

Angela – Video Editing Instructor

Angela brings over six years of expertise in video editing to the Omega Film Institute. Currently pursuing her bachelor’s degree in cinematography, she combines academic knowledge with practical experience, making her an invaluable part of our teaching team.

Her passion for storytelling shines through in every project she undertakes, and she has a unique ability to connect with students, inspiring them to see editing as an art form. Angela is not only a skilled editor but also an avid movie enthusiast and a book lover, which fuels her creativity and sharpens her storytelling abilities.

Dedicated, innovative, and approachable, Angela thrives on guiding her students to unlock their potential, ensuring they leave her classes equipped with both technical skills and a creative mindset. She believes in the transformative power of visual storytelling and takes pride in helping her students craft compelling narratives.

HOMANATH – MEDIA AND MUSIC INSTRUCTOR

Homenath brings over 15 years of diverse experience in the media industry to the Omega Film Institute. His journey began with recording, digitization and archiving of Intangible cultural heritage in Nepal,  eventually leading him to become an integral part of early Nepali filmmaking, music videos, and film production. His extensive knowledge and hands-on experience make him a cornerstone of our teaching team.

A connoisseur of Nepali music, especially traditional folk music, Homanath’s expertise enriches the creative environment at OFI. His deep understanding of music and its integration into filmmaking provides students with unique insights into crafting emotionally resonant stories.

Homanath’s passion for teaching and his ability to connect with students make him an inspiring mentor. His wealth of knowledge and commitment to preserving Nepali musical heritage are invaluable assets to our institute.